All the limited edition items for the project “A Journey Beyond Ourselves” are now sold out!
Thanks to all of you for embracing the project the way you have! We cannot wait for you to finally have these collector items in your hands. And of course, we’ll be expecting pictures! 😉
For those of you who couldn’t grab one of these limited-edition items, some permanent items from the collection are still available and they all possess the same soul that was infused in all the project! Of course, several items from the band are available, from their very first EP, all the way to t-shirts all made in-house by the band members themselves!
A new editorial by Alex has just been published in the Japanese magazine BEEAST.
This time, Alex shares with us why Tangier has been so meaningful to him, and lets us know why he wanted for Your Favorite Enemies to record their upcoming album over there. It’s intimate, personal, and very inspiring.
In case you might have missed the news, we’ll be here for a few weeks, building a studio & working on our upcoming album! After all that traveling, time to wind down a little and enjoy a nice dinner on the terrace. Of course, we did our usual run in the maze of the medina to grab olives & wine. After over a year, the guys still remembered where it was…
We are happy to catch up with Quebec’s Your Favorite Enemies for a chat during this segment of Five Questions With. The band released their new self-produced vinyl “A Journey Beyond Ourselves” with a book about their album “Between Illness and Migration” on September 1, and we’re happy to say that a review written by us has been included in the book! Although, the book has been sold out, there are still copies of the vinyl and more great merch available, so check out their website for info.
Care to introduce yourself to our readers?
My name is Alex Henry Foster. I’m the lead singer for the post-rock band Your Favorite Enemies, which I formed almost ten years ago with 5 of my longtime friends.
We are located a little outside of Montreal, where we transformed a former Catholic church into our HQ. It is composed of a proper professional recording studio, a rehearsal space, a workplace for our multi-media and merch installations, and the offices of our record label. We are fierce DIY advocates, and every project we craft is based on a profound sense of community values and our involvement for human rights.
Tell us a bit about your music and writing style.
We’ve been described as a blend of post-rock/psych/noise/prog/alt-shoegaze and referred to as the illegitimate children of Nick Cave, Mars Volta, Fugazi, Mogwai and Sonic Youth, among others.
For us, I guess it’s a little more simple of an explanation: we’re an instinctive type of unit and don’t really care or worry about conventions and formats. We pretty much do what we feel like in the midst of moments we are sharing. We are more interested in the honesty by which we commune together than what should be shared and how it must be done in order to sound cool or fit other people’s expectations.
Do you have any upcoming shows? For someone who has yet to see you live, how would you explain your live performance?
We don’t have any upcoming shows. We’re all converging towards Tangier for a few months to work on our next album.
But, for those who saw the band live, they might say that it’s some kind of a collective uplift and communal let go, that it’s pretty alive and filled with improvisation and swapped instruments, that it’s all about the moment and that nothing is forced. We never play the same “show” twice, and we don’t believe in the replication of emotions in the name of any particular type of entertainment. When it’s real, you don’t need to try to emulate whatever has worked before… as long as it’s real. For us, it’s what matters.
Oh, and you might leave the venue asking your friends if they think the singer will be alright, as it was a really high place to jump from. No need to say it’s getting harder and harder to find any good insurance coverage… and to play venues without a proper medical team on site
If you were asked to suggest only one of your songs for someone to hear, which would it be?
“Underneath a Blooming Skylight” from our album “Tokyo Sessions”.
Canadian Beats is all about Canadian music, so who are your current favourite Canadian bands/ artists?
We all have different favourites, but the common ground would be any of those bands or artists: Metz, Neil Young, Godspeed You! Black Emperor, Feist, Preoccupations, Japandroids, Ought and Leonard Cohen.
Announced last Sunday on the Bla Bla Bla: The Live Show, the band members are offering a test cut vinyl of their most recent release; “Tokyo Sessions”. Every vinyl is cut individually by Ben, making each and every one of them a unique piece of art.
The yellow label one is offered to everyone, while the blue label one is offered exclusively to the SFCC members.
Want to win? Simply get something from the new collection “A Journey Beyond Ourselves”!
Participation ends on Saturday September 23, 11:59pm (ET).
Winners will be announced Sunday September 24.
Quebec-based rockers Your Favorite Enemies continue to expand their already impressive catalogue with a new massive project entitled A Journey Beyond Ourselves. Crafted entirely in-house by the members of the fiercely DIY band, it includes a box set containing the double vinyl album Tokyo Sessions, as well as a 10-inch vinyl of the unreleased track “Underneath (As Strangers Falling in Love)”, recorded live in their studio, a converted church outside Montreal.
On top of that is a lavish book filled with personal notes from lead vocalist Alex Foster, comprised of excerpts from his tour journals and never-released poetry, along with photos taken on their world tours, accompanied by commentary from each band member.
A Journey Beyond Ourselves is indeed a journey through the past five years of Your Favorite Enemies, telling the intimate story of the six individuals behind the group, and what went into making the multiple versions of their previous album Between Illness and Migration.
It also marks Foster’s return to full-time activity after several months recharging his batteries after the previous creative period that he describes as draining, both physically and emotionally. For more info on A Journey Beyond Ourselves, go to yourfavoriteenemies.com.
A Journey Beyond Ourselves is an impressive project. How long did it take to put together, and what were the challenges?
It took us a little more than a year to complete the project.
In fact, the idea first emerged around the time we came back from Japan where we did a show that was a complete reinterpretation of our album Between Illness and Migration. The concert led to the creation of the album Tokyo Sessions shortly after, and as we were getting ready to transition to our upcoming album, A Journey Beyond Ourselves briefly resurfaced. We were all too busy at the time to honestly consider working on such a colossal project, which was reconsidered while I was living in Tangier a year ago.
I think the dilemma of how transparent we wanted to be was more challenging than our collective willingness to truly be honest. This is what became the real cornerstone of the project as it slowly took shape, as it went from being the story covering the album concept for Between Illness and Migration, all the way to the five years of worldwide touring that followed. But somehow, as we re-opened personal notebooks and revisited personal travel journals, the project became more intimate and personal. It was now a deeper look into our relationships, the challenges associated with depression and isolation, the dazzling reality that comes with discovering the world through the eyes of six completely different individuals all coming from very humble backgrounds.
The album’s story suddenly revealed itself in a different angle, and instead of trying to rewrite it and shape some look-good type of myth, we decided to fully dwell in it and use it as a way to reconnect with each other.
Facing where we came from, who we were, what we’ve been through, and how incredibly difficult it’s been to get out of it alive has been more challenging than the incredible amount of time we spent in our archives or all the technical problems we faced crafting every single element of the project ourselves.
I guess that’s the long answer… Well, a part of it anyhow!
Why was it important to you to open up about yourselves so much?
I think it became necessary the moment I admitted that I somehow became the shadow of somebody else’s story, a witness to my own life, that I grew apart from everybody else and that I was completely isolated emotionally. I could have talked about it to some professionals or just opened up to the others, but writing has always been my way of expressing myself. So I faced it. And honestly, more than truth, allowed me to let go in a positive way rather than a drama-like public self-flagellation. I was pretty reluctant at first, but I somehow knew it was alright to do it.
Even if we’re a little more sensitive to those issues, I realized that depression and mental illness are highly difficult to admit to yourself. It became a taboo of sorts, as being “strong” has always been the answer to questions that might require being fragile. Well, at least that’s how I see it and how I now allow myself to address those issues. Matthew Good’s personal story raised a flag for me a few years ago… It broke the cycle of isolation in a way.
How would you describe what has made the band such a tight-knit unit, both as friends and musicians?
I would say that we learned to accept our differences – and God knows how different we are! So rather than feeding the necessary band compromises, we try to keep defining and redefining the nature of our shared language. We’ve acknowledged the fact that we’re all fighting our demons and shadows, and we’ve learned to receive each other for who we are rather than trying to fit others into our self-preservation views.
It’s difficult to define why, but we found each other, and we kinda found our purpose. The rest is a choice. We’ve learned over the years that projects, as fresh and uplifting as they might be, aren’t substitutes for the time we invest in each other, nor can they truly cover any problems forever. All good mottos and philosophical views we need to remember, sometimes more than others!
What can you say about any new music you’re working on now?
We’ve been working on different musical projects. Sef, Ben and I are presently completing a soundtrack project to be released sometime next year. I’ve got a French spoken word/noise/experimental album coming up as well. And I’m bringing the whole YFE circus to Tangier at the end of the month to start working on our next album in a recording studio I established in the heart of the city… Let’s just say there’s currently a lot of noise in our lives!
What are your fondest musical memories as you were growing up?
I think it would be the passionate debates and fights over real rock ’n’ roll legitimacy. Between my mother’s love for Elvis and my father’s allegiance to Creedence Clearwater Revival, the fierce conversations led to my first understanding of a man having to sleep on a couch for whatever reason! Anyway, they would later find common ground by being on the same page for their total despise towards my passion for Ministry, Skinny Puppy and The Cure. I know, I never understood why either. Maybe it has something to do with the hair… I don’t know. Go figure!
We want to take the time to thank everyone who attended the “Bla Bla Bla: The Live Show” a little earlier today! It was a blast to be together with you once more as we are beginning a new chapter of our common story!
In case you missed the live broadcast of the Bla Bla Bla, the rerun is still up on the band’s Facebook page!